On Speaking Up (Blog #1052)

This evening me and my friend and dance partner Janie volunteered as dancers for a college film student’s final project. And whereas we didn’t know exactly what we were getting ourselves into (well, to be fair, what I was getting us into, since I’m the one who responded to the student’s social media call for dancers and, as Janie says, I’m always getting us into things), we did know that we were supposed to be swing dancing. “Come on, it’ll be fun,” I said. “Swing dancing! That’s what we do.”

Well.

You know how you make assumptions about HOW things are going play out? Like, when Janie and I originally singed up for this gig, I thought there was going to be a band. Because there was something said about a band on the “ideas for costumes” Pinterest board that was sent out. But last night when we got the list of people who were going to be there today–no band. “We’ll be playing an instrumental track while y’all are dancing,” the student said when me and Janie and the other two dancing couples arrived this evening. And whereas I THOUGHT about asking if we could hear the track first (because twenty years of dancing experience has taught me that what the general public thinks is swing music and what I think is swing music are two different things), I didn’t. Rather, I kept my mouth shut.

I thought, Just roll with it, Marcus. Even though I’m not a roller.

Well, when the time came for us to warm up, the student played the music, and it was–um, honestly, in a word–awful. Now, I don’t mean that the music itself, which was some type of–I don’t know–electric funk, was awful, just that it was awful for swing dancing to. “I think we could west coast,”I said, west coast being more modern or contemporary than Lindy Hop or East Coast. “It’s really more of a cha cha,” Janie said, cha cha, of course, being Latin. Finally, we decided we could SLOW Lindy Hop to the music, although we also decided that if we did we’d stick out like a sore thumb because the other two couples were doing FAST east coast.

Now, I know these words and terms may not make sense to a non-dancer. Suffice it to say that just like every kitchen recipe has certain ingredients that can’t be taken out or changed without changing the intended dish or outcome, so too does every dance require 1) certain staple moves or patterns executed in a particular fashion and 2) a proper corresponding beat. For example, you can’t dance a salsa (which is based on 4 or 8 count patterns) to waltz music (which is played and counted in 3s or 6s). Well, you CAN, but then you’re not really dancing salsa, are you? You’re just doing salsa MOVES, which you could just as easily do WITHOUT MUSIC.

All this to say that I finally spoke up, in private to the student. “I’m having a problem,” I told them. “This isn’t swing music.” Thankfully, they were very gracious, explaining that the music had been made by another student (and was therefore copyright free), and it was the best they could do. “Okay,” I said. “Do you want us to do swing dancing to this music, or do another type of dance that’s better suited for it?”

“Do what you’re most comfortable doing,” she said. Which I appreciated, but then we were back to the sore thumb problem, doing something different than the other two couples.

Not long after this exchange, the student told all of us, “Since we’ll be editing the footage and adding in the music later anyway, we could easily play another song.” Phew, I thought, but the other song they played was just as difficult to dance to. Way too fast. Albeit it WAS more swingy. “Should I say something AGAIN?” I asked Janie. “Well,” she said, “you might as well. You’re already that person.”

Right?

So I did.

“I’m really not trying to take over,” I said, “I just feel like everyone’s dancing will be better if we can find a song we can all agree on.” And whereas I offered up my playlist, the student selected another song from their phone and said, “What about this song?” Well, I didn’t think it was fabulous, but I did think it was a solid option. Definitely the best so far. Indeed, all six of us dancers nodded our heads in agreement. We can dance to this. So that was it. The rest of the evening went swell. After a short rehearsal we broke for dinner, then came back and danced our little tails off while the film crew (one guy) shot us from several different angles as the new song blared in the background on repeat.

Y’all, I’ve been thinking a lot about this, whether I SHOULD have spoken up, since doing so made me feel a bit like a dick. Granted, not enough of a dick to NOT speak up at all, which is what I would have done five or ten years ago. Indeed, the other (younger) couples later told me that they were struggling with the original song too, and yet no one else said anything. Which is why I know I SHOULD have spoken up. Sure, it would have been out of line to start commenting about the writing, the lighting, the camera angles, or what was for dinner. (Why, Marcus?) Because that stuff is someone else’s business. But dancing? That’s my business. Not only because this is my profession, but also because I was asked to be there AS A DANCER, a swing dancer. And if the music being played keeps me from being able to, well, swing dance, I have a right to–politely–speak up.

Now, instead of being creative and accommodating, the student could have said, “Live with it.” At which point I could have lived with it. Or tried again. Or said, “I can’t work like this” and stormed out like a diva. My point being that you always have options. Especially if something you’re volunteering for and that’s meant to be fun isn’t, you always have options. You don’t just have to bite you’re tongue. You’re can speak up and be heard. Even if you’re not agreed with or don’t get things completely your way (which, by the way, you never will), you don’t have to suffer in silence. You can say, “Something seems off here.” Your voice is as valid as anyone else’s.

Quotes from CoCo (Marcus)

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Help is always on the way.

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A Letter to My Younger Self (Blog #921)

Dear fifteen-year-old me,

I know you may not recognize me, but I’m you at the age of thirty-nine. I know, we’re old now–all grown up–but we still look pretty good if you ask me. Especially considering all the beer and chocolate cake we’ve had in the last twenty-four years. But I digress. I’m writing because I’ve been thinking about you all evening. This afternoon I saw my chiropractor, and he suggested that the reason I have so many physical problems (sinus infections, tight shoulders, headaches) around my throat (fifth chakra) area is because the throat is where we speak our truth. And–apparently–that’s difficult for me to do.

Now, granted, speaking my truth is easier than it used to be. Certainly it’s easier than when I was your age, and that’s one of the things I’d like to (truthfully) discuss with you. Another thing my chiropractor suggested was that my fear of speaking up was directly related to my survival instinct (first chakra). For example, over the years I’ve worked with or for a number of people–hell, I’ve dated a number of people–to whom I really wanted say, “Fuck you and this noise. I’m out of here.” That was my truth. But because I perceived that I needed their love, money, or approval (or all three), I zipped my lips and stayed. I believe my body has paid the price for this–in stress, upset stomaches, and tensions headaches, among other things.

I’m sorry, body.

Where you come in is that I know all of this people pleasing in order to survive business started when we were a teenager. Probably younger. Things always begin sooner than you think they do. Regardless, looking back I can see that this pattern of behavior was firmly in place when we were in junior high. Dad had just been arrested, tried, convicted, and sent to prison, and Mom was sick. Consequently, you had a lot on your shoulders. A lot. Because you loved your family, you were trying to help them. At the same time, you were working your ass off in school, trying to be the best student. All this while suppressing your sexuality and–more often than not–your authentic responses.

In case I’ve never said it, I’d like to recognize that it was all really too much for us. We did a wonderful job, the best we could, but we could have just as easily cracked up because it was too much for a teenager to gracefully manage. I think the only reason it worked is because our body bore the burden, stored the stress and shoved-down emotions in a thousand little places.

I guess I’d like to talk about those shoved-down emotions. All the anger you felt at the situation and some of the people involved. All the frustration because, despite your best efforts, life didn’t improve. All the disappointment. The lost hope. These emotions haven’t gone anywhere.

I know that I’m a real hard-ass with us most of the time (thirty-nine years). I know that I more than imply that our best isn’t good enough. I say, “If only we were better, these bad things wouldn’t be happening.” But I’d like to say now that I’m really impressed with how you handled everything. I know you did the best you could, and–honestly–it was really fucking great, more than good enough. Looking back I wish we could have said no and hell-no, but I realize the only reason we couldn’t is because no one taught us how. Plus, our saying yes to everyone else instead of ourselves was a matter of survival. Shoving our emotions down was what we had to do in order to get by.

The good news is that it worked. All these years later, we’re still here. Thankfully, we’ve learned a lot along the way. With some good help and support (it does exist), we’ve learned to express our emotions more often, to speak our truth more often. Is it still a challenge? Yes. Perhaps it always will be. We can’t all be Julia Sugarbaker. But things are so much better than they used to be.

Going back to my being a hard-ass, I know that I put a lot of pressure on us to be perfect. Like, if we’re going to speak up for ourselves, we have to do it perfectly–in every situation, anytime someone crosses a boundary. And whereas I think speaking up for ourselves is important, I think it’s even more important for us to speak up TO ourselves. For us to be honest with us about what’s going on inside. Like, I’m angry. I’m discouraged. I’m overwhelmed.

Earlier tonight I really looked at a picture of you. I didn’t rush by it like I usually do or barely glance at it because it was during our awkward phase. No, I really looked at us. And you know what I realized? We weren’t that awkward. We were pretty hot for a teenager. More than that, we were strong. We had everything we needed to get by in life, even if it didn’t feel like it at the time. Anyway. What I really want you to know is that no matter how many years go by, I’m always here for you. Despite all the times I’ve tried to either ignore or intellectualize what we went through, I’m willing to listen–to your anger, your fear, your sadness, your joy. Whatever wants to come up, I’m willing to feel it now. I believe this can only be healing. For you, for me, for us.

Sweetheart, I love you,

Thirty-nine-year-old us

Quotes from CoCo (Marcus)

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Go easier on yourself.

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On the Best Advice (Blog #915)

Yikes. Yesterday I started getting a sinus infection, and it went full-blown during the night. I got a sore throat and everything. But what do you do? Life goes on. Even if you don’t. This morning I crawled out of bed at seven, coughed up a bunch of colorful junk, got dressed, and drove my parents to the hospital. My dad’s been needing a pacemaker for a while now, and today was the day. And despite being ten minutes late because of traffic, we made it. More importantly, he made it. The surgery went fine, we’re all home now, and his heart’s beating faster than it was before.

In the waiting room today I began reading The Writer’s Journey: Mythic Structure for Writers by Christopher Vogler. So far, it’s glorious. One thing Vogler points out is that every great hero (or heroine) has a guide or mentor, someone who says, “Look what’s possible.” Joseph Campbell called these helpers magical aid. Dorothy had Glinda the Good Witch, Frodo Baggins had Gandolf the Grey, and Mary Tyler Moore had Lou Grant. I’ve personally been fortunate to have a number of mentors, but I consider my therapist my big-kahuna mentor. More than any other person in my life, she’s given me the guidance I’ve needed to navigate life’s challenges successfully.

Whenever I praise my therapist and thank her for changing my life for the better, she always says, “You did all the heavy lifting.” This is important to understand. Not that I’ve done any heavy lifting, but that even the best therapist can’t fix your problems for you. They can support you, they can offer you wisdom, but you’re ultimately the only one who can do anything about your problems. (Why, Marcus?) Because they’re YOUR problems.

When discussing mentors Vogler says, “The best advice is useless if you don’t take it.” Think about that. The best advice is useless if you don’t take it. Countless times my therapist has told me, “If you want healthy relationships, here’s what you have to do. I’m giving you the playbook. Be honest. Confront. Have tough conversations. Set boundaries.” Talk about fabulous advice. But what’s the saying? It’s easy to say, harder to do. When you walk out of your therapist’s office, this is where the heavy lifting comes in. This is where the rubber meets the road.

When given good advice, one question to ask yourself is, “Am I going to willfully discard this information or actually do something with it?” For me, the answer often comes when I ask myself, How badly do I want to be free? (I’ll explain.) A number of times since starting therapy I’ve been in situations in which someone violated my boundaries. I wrote about a recent situation involving work and compensation for services here. Recently I’ve come to know–deep down–that when my first response to, say, a text message, is anger, I know a boundary has been crossed. This is part of seeing and living clearly. First you have to admit that there’s a problem rather than brushing it off or explaining it away. How do you know something’s a problem? Your emotions will tell you. Anyway, once you know, then you can decide what to do about it.

This is the part about being free. When you know there’s a problem, a violation of some sort, but you purposefully choose to ignore it or brush it under the rug, who’s fault is it when 1) you feel miserable and 2) it happens again and again and again? More and more I’ve started speaking up. Not because it’s fun but because I know what happens when I bite my tongue (see below). Recently I told someone, “If you and I are going to continue to have a professional relationship, I need you to do this.” Now, the person said, “Okay,” and that was that. We’ll see what happens. But my point is that sometimes other people don’t even know they’re crossing a line unless we tell them in plain, simple language discharged of emotion (and blaming and name-calling).

For me, I’ve found that when I don’t speak up when I know there’s a problem, when I bite my tongue, I suffer needlessly. My therapist says, “Biting your tongue hurts.” For me what hurts is that I stew. I imagine all sorts of scenarios in which I yell and scream and call people bitches and assholes (and shitheads and turds). I tell other people, “Can you believe what this person did?” But when I say, “Hey, wait a damn minute, we need to talk,” that’s it. Within a matter of minutes, I feel better, regardless of how things turn out. No drama. No gossip. No pain.

In all my years (decades) of struggling with sinus infections, the only thing that’s reliably helped them is a probiotic called L. sakei, which is most commonly (but not always) found in kimchi or fermented cabbage. Last week when I started to get an infection, I bought a bottle of kimchi, and it knocked it out overnight. For a week I felt great. Now the infection is back with a vengeance. Because that bottle didn’t help yesterday, this afternoon I ended up buying over seven pounds of kimchi–because the probiotic in the kimchi expires after a couple months and the only recently made kimchi was in a huge jar. And whereas I find a six-foot tall white man walking out of an Asian food mart with seven pounds of kimchi tucked under his arm funny, again, it’s the only thing that’s helped.

You do what you gotta do.

This evening I’ve been using the new kimchi, and the jury’s still out as to whether or not it’s gonna work. I’ll know for sure in the morning. Either way, I ordered a fresh batch of only the probiotic (it comes in a powder) just moments ago, and that will be here by the end of the week. And whereas part of me is freaking out because–what if nothing works?–experience has taught me that this does work. Sure, it’s not an exact science–I have to play around to get the right product, and it’s not a one-and-done deal–but it works. The same goes with how you can improve your relationships–communicate, listen, set boundaries, speak up. It’s not an exact science. You have to keep working at it. But the advice works–if you take it.

Quotes from CoCo (Marcus)

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Whatever needs to happen, happens.

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Reverse, NEUTRAL, Drive (Blog #859)

Two nights ago I threw up everything I’d eaten for the previous week. It was nasty. Thankfully, I haven’t thrown up since. I have, however, been dragging ass. Yesterday I spent all day in bed. Today, by the grace of God, I only spent half the day in bed. My energy is noticeably better–I took a shower today!–but it’s still not fabulous. This evening I taught a dance lesson and thought, I think I’m perking up, then I came home and promptly merged my ass with the couch. Ugh. You just can’t heal any faster than you do.

Ain’t that the truth, Ruth?

Normally when I’m sick I’m pretty impatient. I want to heal NOW. And whereas, of course, I’d like to feel better on the lickety-split, I’ve noticed this time around that I’ve been able to let things unfold at their own pace. I keep thinking of how for two hours Sunday night I felt nauseated and then how–all of a sudden–I was on the bathroom floor vomiting. It was so fast, so violent. My point is that my body was clearly ON IT, working swiftly to remove whatever was bothering us. Y’all, I’ve given my body a lot of crap over the years, and yet right there on the cold tile I had all this proof that my body was on my side. Clearly my immune system is like one of those muscle-y bouncers at da club. It’s ready to throw any offending party out on its rear.

Like, get the hell out. And stay out.

Now, do I wish that I’d thrown up Sunday night and felt better immediately? Of course. But in truth, I have felt better–progressively better. And when you consider that my body was just poisoned or otherwise invaded–and that in throwing out the bad guys my stomach also had to throw out some good guys–it makes sense that it would take a few days for things to regain their balance. Even if it takes a week, what’s the big deal? Few things in life can’t wait a week.

This perspective, that my body is actually on my side and constantly working to help me, helps make the healing process more bearable. Recently I heard that when things aren’t going well in your life, it may be because you’re in a time of transition. When I’m teaching dance I often compare a series of three steps to “reverse, neutral, and drive,” meaning the first step goes back, the second step stays in place, and the third step goes forward. My point in teaching it this way is to emphasize that each step is important–even the neutral one that doesn’t “go” anywhere. Anyway, lately I’ve been thinking about how important the neutral phases in our lives are.

I’ll explain.

A while back I had a confrontation that wasn’t fun for me. And although it wasn’t fun, it felt good to not bite my tongue. It felt good to be honest and let the chips fall where they may, where they needed to. When I discussed this confrontation with my therapist she said, “I imagine there will come a day when you’ll be negotiating a business deal, and this skill of speaking your truth and standing your ground will come in handy. So just think of this as practice.”

I’ve gotten a lot of mileage out of this advice, the idea that although my current circumstances aren’t glamorous, they may be preparing me for something better down the line. Lately I’ve been reminded of the adage, “If you want the things in your life to change, you have to be willing to change the things in you life.” To me this means that if you want your life to be different, YOU have to be willing to be different. Of course, like healing, personal change doesn’t happen overnight. It’s something that comes in stages. The future you is something you grow into a little bit here, a little bit there.

Recently I blogged about changing patterns, and this is basically what I’m talking about tonight. Applied to my example about confronting someone, you could say that I USED to have a pattern of letting myself be walked on like a door mat (reverse), but that for the last few years I’ve been 1) letting that pattern die out and 2) letting a new pattern develop–speaking up for my damn self (neutral)–so that I’ll be better able to navigate the rest of my life (forward). Y’all, my therapist is probably the most outspoken and confrontational person I know, but she says she used to be quiet as a church mouse. Well, shit, she didn’t just wake up loud and boisterous one day. She had to work at it. She too had to go through a neutral phase.

More and more, I’m appreciating the neutral phase, the transitional phase, the healing phase. I think when you realize there’s a point to it, it’s easier to sit with, patiently. When you remodel and redecorate a room, you have to let the paint dry before you hang the curtains. Otherwise you’ll have a damn mess. Likewise, when you want an entirely different life, you have to let your old one (your old patterns) dry up first. I mean, what would happen if you were a people pleaser and all of a sudden inherited a bunch of money? That’s right–goodbye money. Why? Because your pocketbook changed but YOU didn’t. So if it feels like you’re stuck and not going anywhere–good. Chances are you’re being given a chance to change, to learn something new, to heal. Take heart. Be patient. Your time is coming.

Quotes from CoCo (Marcus)

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You can't build a house, much less a life, from the outside-in. Rather, if you want something that's going to last, you have to start on the inside and work your way out, no matter how long it takes and how difficult it is.

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