On Cleaning Things Up (Blog #872)

Today I finished painting the bathroom I started on last week. When I first began, the walls were weak green, the ceiling brown. Now everything–the walls, the ceiling, the trim (the toilet, that bath tub, the sink)–is white. Simply white. Room by room, the entire house is becoming white. Simply white. And whereas I’m personally not a huge fan of wall-to-wall white rooms, in this case I like it. For one thing, the rooms were pretty dirty/dingy before, so the white really cleans things up. For another, since the rooms are rather small, the white opens them up, reflects more light.

Ta-da!

This evening I taught a dance lesson, went to the library to take an online class, then helped a friend who’s in the process of painting a room at his work. Thankfully, I didn’t have to paint, just hang a few pictures. However, I also helped try to remove paint from a piece of plexiglass they were using to keep the backs of chairs from damaging one of the walls they were painting. The old paint stuck to the plexiglass when they took the plexiglass off the wall. Anyway, I say “try to remove paint” because, y’all, getting paint off plexiglass is tough. We tried paint thinner, ammonia, Pine-Sol, and even whitening toothpaste (which actually worked the best). Alas, we were only partly successful. At least half the paint hung on for dear life. Finally, we gave up for tonight.

More chemicals will be tried tomorrow.

Today I started reading a new book about Internal Family Systems (IFS), a school of psychology that views one’s individual mental and emotional patterns as separate “parts.” For example, most of us have an inner child, an inner perfectionist, an inner grouch. And whereas a lot of self-help and spiritual approaches would say you should banish or be rid of certain thoughts, emotions, or parts, IFS suggests not only welcoming all pieces of yourself, but also integrating them. I’ve noticed this general idea in several other approaches as well, like anything that promotes getting to know your shadow, or even Byron Katie’s The Work, which suggests questioning (dialoguing with) your stressful thoughts.

More and more, these approaches make the most sense to me because they promote true self-acceptance and unconditional love. That is, most of us think we will love ourselves when we look, think, or feel a certain way because we think we’re not good enough or worthy enough as we are. We imagine a body that weighs less or a mind that’s more “pure” is “better” than the one we have now, so we set goals to change ourselves. However, as Pema Chodron points out, when we do this we create a “subtle aggression” toward ourselves. Of course, it is possible to go about changing ourselves because we love ourselves, because we want to take the best care of ourselves possible, rather than thinking we need to change because we’re fundamentally wrong or unworthy. This shift in motivation, of course, makes all the difference.

Both while I was painting over the weak green in the bathroom this afternoon and while I was doing my best to scrub paint off the plexiglass this evening, I thought about how challenging change can be. Our old ways of thinking and our old patterns of behaving die hard. Lately I’ve been working on not being such a perfectionist, but twice after finishing the bathroom I put my paintbrush away then got it back out because I saw spots that needed touching up. Now, I’m okay with this because I like to do a good job when I work and I didn’t get neurotic about it. This is how I know my perfectionist pattern is–um–losing its charge. I didn’t obsess for the rest of the day. I didn’t tear down all the wallpaper.

I’ll explain.

A friend of mine says that a well-balanced person will see a corner of wallpaper that’s peeling off and, like, grab the superglue. A perfectionist, however, will tear down all the wallpaper and remodel the entire room. This second option, obviously, is nuts, and yet many of us spend our entire lives overreacting, thinking everything has to be just so. We pace the floor or give ourselves panic attacks when everything isn’t. We forget to breathe.

Getting back to the idea that old patterns die hard, I’ve found a major step in changing not-so-productive patterns to more productive ones is first recognizing how the old patterns have been helpful. Tonight I made a list of several old patterns that I think have been trying to “gear down” for a few years now (things like perfectionism, self-criticism, and people pleasing), and for each one listed HOW that patterns came to my aid when I was a child. For example, a perfect, people-pleasing child is less likely to be spanked or yelled at, is more likely to be fed and taken care of. When dialoguing with your different parts, IFS suggest asking them, “How old do you think I am?” Most likely they’ll come back with a number in the single digits. The point: your parts or patterns don’t always know that you’ve grown up, that their “help” isn’t as needed now as it was at one time.

When I think about the all-white rooms that I’ve been painting, they remind me of a blank page, full of possibility. Now, are they truly a blank page? No. There are imperfections. There are flecks, even broad strokes of the paint that used to be there before. Underneath the sink or whatever. This has been and continues to be my experience with change and transformation. It’s not that you start completely over. Rather, you update yourself. You start bringing in new patterns, running new software. You clean things up. You reflect more light.

Quotes from CoCo (Marcus)

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You can’t change what happened, but you can change the story you tell yourself about it.

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this present moment (blog #34)

Dad just finished taking a shower and getting dressed. The entire house smells like twenty-five-year-old cologne. I’m gagging. Earlier today I decided that I don’t have a sinus infection but do have a cold, and I can only imagine how bad the smell would be if I weren’t congested. He must have slathered the cologne on, maybe taken a bath in it. “You smell like a French whore,” I said. “I’m going to blog about it.”

***

I spent the day coughing and reading a hundred pages in a book by Andrew Solomon called The Noonday Demon: An Atlas of Depression. It’s 445 pages of total text, and it’s not exactly what I would call light reading. But I’ve had it checked out of the library for over a month and I’m determined to finish it.

A couple of months ago, my mom and I watched Andrew’s TED Talk called Depression, the Secret We Share (30 minutes), and we both cried. So I checked out his book from the library, and Mom read it first. Having been clinically depressed for over thirty years, she identified with Andrew and marveled at his ability to put into words many of her dark feelings and difficult experiences. So more than anything else, I’m reading the book to better understand my mom and people like her.

Mom’s depression started shortly after I was born, and I don’t have many memories of her without it. I guess as a kid I didn’t fully understand, but I remember that she had to go away for maybe a year when I was six or seven to live in a hospital in Baltimore. I guess all kids are embarrassed of their parents, but I can remember thinking that my mom seemed different than the other moms. Maybe it was just that she wasn’t able to do as much.

At some point, Mom had to quit her job as a nurse. The depression was too bad. The electric shock treatments affected her memory. From what I can gather, nursing was one of the few things that she really loved about her life, something she was really good at, and I think it’s taken her a long time to come to peace with the loss.

I’ve heard all my life that Mom has a type of depression that never goes away. Her doctor says that it’s like that for a small percentage of people. Some days and some years are better than others, but it’s like she’s never really out of the woods.

When I was in my early twenties, Dad had a heart attack. I remember going to the Van Buren City Park the next day and jogging. I started going to the gym soon after that, subscribing to Men’s Health. Even Dad will admit that the heart attack didn’t scare him into changing his lifestyle. He’s heavier now than he was back then. But it certainly scared me. Looking back, the jogging, the working out, the reading—it was all motivated by fear.

I’ve spent the last fifteen years really digging into health—what it is, how we lose it, how to get it back, how to keep it. It’s taken me down some pretty interesting paths, both traditional and alternative, and I’ve learned a lot. And whereas I thought that it all started with Dad and his heart attack, I’m sure now that it actually started with Mom and her depression.

Over eight years ago, I took a class in Reiki, a hands-on form of healing that originated in Japan. I usually preface any mention of Reiki by saying that it’s really weird, but it seems like things that are weird are becoming more and more mainstream lately. Anyway, my Reiki teacher says that there is a divine intelligence that is capable of healing any illness. Anything is possible.

Frankly, I love this idea, and it actually lines up quite nicely with my Christian heritage. (I can do all things through Christ, God can move mountains, etc.) Still, there’s a big part of me that has a lot of evidence—like Mom’s depression—to the contrary. So it’s something I really struggle with, this idea of whether or not things like pain and sorrow come and go or simply come—and stay.

I think it’s a huge part of the reason that I get so frustrated when I get sick. Every illness feels like it could be permanent. I can handle a sinus infection for a week, but the thought that I’ll have to handle them for the rest of my life is pretty unbearable. Those are the times it feels like everyone else has things that get better, but I’m the exception. Worse, it feels like I’m doing something wrong. Like if there’s a divine intelligence capable of healing, it’s either not willing to, or it must be my fault when things don’t get better.

Last night I started reading a book by Pema Chodron called Comfortable with Uncertainty. I picked it up at an estate sale last weekend in Tulsa because I liked the title and because I’m not. There’s a line in the first chapter that says, “We explore the reality and unpredictability of insecurity and pain, and we try not to push it away. If it takes years, if it takes lifetimes, we let it be as it is.”

Wow.

“We try not to push it away.”

I can’t tell you how hard I try to push pain away, how hard I work to make health a permanent state of being, to make it certain. (A history of chocolate cake and cigarettes notwithstanding.) But clearly, the truth is that it’s uncertain. As Saint Teresa of Avila says, “All things pass away.” (I just got up to take some Claritin and Ibuprofen, and the house STILL SMELLS like a teenage boy who’s discovered Axe Body Spray. So—obviously—some things pass away more quickly than others.)

A few years ago, Mom’s depression started on an upswing. I can remember going out to eat with her in high school or college and her not saying a word. Now she talks and talks and talks some more. (It drives Dad crazy.) She’s still sick, but it’s a remarkable difference. And I think that’s one of the benefits of my being here now. For the longest time, it’s been easy for me to keep Mom’s illness at a distance, to personally run after health and treat someone else’s sickness like something that doesn’t concern me. Looking at it now, that’s because I haven’t been ready to admit just how scared and vulnerable I really feel about it.

So this week my goal is to do my best to lean in, to be more okay with having a cold or a mother with depression, to open up to this present moment rather than trying to push it away. And rather than wishing things were different than they are, I can look for the gift in this present moment—a chance to experience compassion for myself and others, a chance to experience my heart.

[The top photo is of my mother when she was in nursing school. Isn’t she lovely?]

Quotes from CoCo (Marcus)

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Just because you can’t see it, doesn’t mean it’s not true.

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one hand in the light (blog #25)

This morning I woke up in Wichita, stumbled into my friend Megan’s kitchen, and made two pieces of toast with apricot preserves. While Megan and I were talking, our friend Tina came in from the garage apartment where she and her husband stayed during the dance weekend. Well, Tina must be a morning person because she was SUPER perky—way too perky for Marcus on a Monday. But I guess her good mood started to rub off, and before I knew it, we were all telling stories and laughing about how we keep ourselves awake on road trips. (All of our go-to strategies include making loud animal noises.)

I know it’s not the same on paper as it would be in person, but it was one of those glorious moments that I thought, God, life is fun sometimes. This was actually worth getting up for.

And then the last twelve hours happened.

I’ve been sitting at my computer for about an hour, trying to sort out my feelings and what I wanted to write about. For the majority of that time, I kept thinking that I could pull the wool over my own eyes and talk about what a great day it was. Granted, there were highlights—animal noises for breakfast—but there were frustrations as well. And rather than try to pass it all off as “I’m just tired,” I’ve decided to be honest about it instead. As it says at the top of the page, “The truth will set you free (sort of).”

The first frustrating thing was my GPS took me the wrong way out of Wichita, and I’m still not sure how it happened. But after several miles of unfamiliar highway, I realized my GPS was guiding me home via the Ozark National Forest, turning a four-and-a-half-hour trip into a six-hour one. So I got turned around and back on track, but I lost enough time that I had to substitute gas station food in place of an honest-to-god restaurant. (And that did not bless me.)

By the time I got home, I had about half an hour, so I unpacked the car and checked the mail before heading back out for a dance lesson. Well, I got two bills in the mail that were connected to the sinus surgery I had two months ago. (Isn’t that exciting?) So I opened them, and all I could think was that I made straight A’s in math all through junior high, high school, and college, and medical bills still don’t make a damn bit of sense to me. I finally figured out one of the bills this evening, but it took two calculators and four hours of guided meditation. As for the other bill, I’ll have to call someone to figure out why my balance online shows as zero but I keep getting statements in the mail. I should probably drink before I dial that number.

After the dance lesson, I had dinner with a friend who has a lot of muscles and a great tan and wore a tank top so it was all out in the open. Oh, and he didn’t touch the bread on the table. (What the hell?) Our conversation eventually turned to his committed relationship, and he even showed me the rings he wanted for his engagement one day. And whereas I’m quite happy for him (and his muscles and his committed relationship), the whole situation made me feel fat and out of shape and lonely, so I kept reaching for the bread basket because—you know—carbs have always been there for me.

A few months ago I told my therapist that I was feeling lonely. I don’t recall exactly what was going on at the time, but I think it was mostly about all the changes that have taken place since I started therapy. And whereas I consider it all to be a net positive, there have still been a lot of goodbyes—to a lot of physical stuff, to the dance studio, to a lot of relationships that although unhealthy, were also with people I cared for. So some days, I said, it feels like I’m starting all over again, doing this all by myself.

My therapist told me that first off, I’m not alone. No one is ever alone. Second, she said that being able to sit with that feeling of loneliness, as unpleasant as it may be, is really the root of strength. (If only I could sit with my loneliness and develop strength that looked good in a tank top.)

One of my favorite authors, Pema Chodron, says something similar. She says that our task is to sit with whatever emotion arises, without judgment and without running our story about it. She says that whenever we try to make a feeling go away, we unwittingly cultivate a subtle aggression against ourselves, but that by allowing a feeling to just be, we practice self-compassion.

Well, as my friend Suzanne says, “That sounds good if you say it fast.” I mean, I think what Pema says is true, but I would add these thoughts—sometimes that aggression you cultivate against yourself is not so subtle, and sitting in the midst of an uncomfortable feeling and not reaching for the bread basket is damn hard. (I guess if it were easy, everyone would have abs.)

As I’m typing now, one of my favorite things in the whole world is sitting across from me. It’s a photograph of the dancer Erick Hawkins, and the photographer Barbara Morgan took it, maybe in the 1940s. For a while, Erick was married to Martha Graham, one of the biggest names in modern dance, and Barbara’s photo shows him dancing on one leg, arms outstretched, one reaching back toward the light, the other reaching forward toward the shadows.

Well, I’ve had the photo for several years, and it’s always one of the first things I unpack when I move. (I move a lot. If you haven’t heard, I’m currently living with my parents.) If no other photo gets displayed, this one does. And maybe if you buy me a glass of scotch, I’d be willing to talk about everything it means to me, but it’s personal, and it’s late, and I couldn’t do it justice now. But what I will say is that for the last two weeks, what I’ve noticed most about the photo is the shadows, the way the dancer is turned toward them, actually stretching out to them with one hand.

Naturally, there’s a lot of talk about the shadow in psychology, and it always seems to get this bad rap, like it’s the evil twin in your family, something to be afraid of. At the very least, you don’t want to invite him to Thanksgiving. But I heard once that the shadow simply represents the unknown. It’s the parts of ourselves we haven’t looked squarely in the eye yet, the parts we run away from, the parts we don’t want to sit with and understand. And as a psychological image, I think it’s rather mysterious and beautiful that the dancer’s face is turned directly toward the dark. He doesn’t turn his back on his shadow. Rather, he invites it in.

So on days like today, I’m reminded to lean into my frustration, to get closer to my loneliness, to sit with all the parts of myself that I consider to be dark or unpleasant because all of it is still part of me. And I can keep one hand in the light, and I can turn my face toward my shadow, and I can reach out my hand and we can dance together, and it can be mysterious and beautiful.

Quotes from CoCo (Marcus)

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Your story isn’t about your physical challenges.

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