Outside Your Comfort Zone (Blog #800)

A few weeks ago my friend Shelli asked me if I wanted to play a character in a western-themed murder mystery for a local fundraiser. And whereas I’ve been telling people that she roped me into doing it (get it, western, roped?), the fact is I simply agreed. Still, I hesitated at first because staying at home sounded better and dressing up and acting aren’t always within my comfort zone. But then I thought, Come on, Marcus, live a little, and said yes. As the grandma in the movie Arthur says, “What the hell? We live once.”

The murder mystery was tonight, and my friend Kim let me borrow some of her husband’s cowboy clothes for my costume–boots, jeans, and a fancy shirt with roses on it. She even loaned me a pair of genuine chaps. And yes, they were ass-less. (All chaps are, I think.) Literally topping things off with my own cowboy hat, I headed to the party, which was held at a fancy private residence and included dinner, drinks, and desserts.

And to think I considered staying at home on the couch.

The setup was that I was the bad guy, Wavy Will, the outlaw in the town of Gravestone. (The whole thing was a spoof on the movie Tombstone, in which “my” character was Curly Bill. Get it, Curly Bill, Wavy Will? ) They had wanted posters with my mug on them plastered all over the place. Wanted Alive–Wavy Will Bronchus–$1,000.

Now come on, I think I’m worth more than that.

As guests arrived at the affair (supposedly held in a saloon), the other characters and I interacted and dropped clues about our relationships. For example, Wylie Arp (Wyatt Earp) had just moved to Gravestone, and several of the other characters wanted him to run for sheriff so he could arrest me and my band of outlaws, The Ranchers (The Cowboys). After two rounds of interaction, I turned up dead. This was a surprise to me and everybody else, although the whole point was that SOMEBODY was going to die. From this point on, I had a halo on and could walk around and make (ghostly) faces but couldn’t talk.

Dead men tell no tales.

Here’s a picture from the end of the game when each character got their final say. The girl beside me was the only guest to figure out who shot me three times in the chest. It was Abby Oakley (Annie Oakley), pictured above and below in red, whom I’d insulted earlier in the evening. “You couldn’t hit the backside of a barn,” I yelled. “Girls can’t shoot guns.”

Obviously, I was wrong.

Y’all, I’m thrilled I agreed to do this thing. I had so much fun getting into character and playing and visiting with my friends. (I ended up knowing several cast members in addition to Shelli.) Some of them had done a murder mystery before and/or acted in the theater and were absolutely inspiring to watch and work with. Since leaving the party, I’ve been thinking about how I could improve my character if ever given the chance to do it again.

One of the things I thought about tonight was how it can often feel strange to “try on” a new personality trait–assertiveness, for example–but how it can actually be fun. This has been my experience since starting therapy. I used to think of myself as shy and timid–a people pleaser. But that was just a character I was playing, and I’ve since learned to play a different one, one I like better. Dustin Hoffman says that this is what acting is, tweaking your personality the way you tweak your wardrobe when you’re trying to pick something out to wear for dinner. You grab a shirt and think, No, that’s not right, so you grab another.

Likewise, you can do this with you personality in your day-to-day life. If you have a discussion with your boss or friend and it doesn’t go well, you can try again. You can adjust your tone, be more assertive, be more receiving, whatever it takes. You can keep trying until it feels right, until you think, Yeah, that’s it. That feels more honest. That feels more like me.

Tonight’s blog is number 800 (in a row). And whereas I wish I had something profound to say to commemorate this fact, I don’t. Instead, I’m ready to call it a night. Still, it occurs to me that most of us don’t know ourselves. We grow up thinking that we’re shy or timid or not one to speak up, talk about ourselves, or share personal details. I used to think these things. But from day one of the blog I’ve purposed to be honest, to not play a character but–as much as is possible–play myself. Tonight my friend Shelli said, “There were women at the party who thought you were so cute.” I said, “Do they have brothers?!” Oh my gosh, y’all, I never would have said this five years ago. I was too worried about what other people thought. But tonight it just came flying out–because I’m in the habit of being honest, of being myself. Lately I’ve been cursing more in dance lessons. I don’t apologize. This is who I am.

Sometimes I say four-letter words.

Everything worth having is outside your comfort zone.

My point in sharing these examples is not to say that being out or cursing when you feel like it are the measures of authenticity. They aren’t. If you’d told me five years ago I’d be doing these things, I would have told you to go play in traffic. In other words, the me of the past is absolutely shocked by the behavior of the me of the present (as are plenty of people who’ve known me for years, I’ve been told). My point is that you really don’t know what you’re capable of until you try. Part of you will always think you can’t be assertive or honest or strong or independent or even affectionate if you’ve never been these things because that’s all you’ve ever known. But if you try a different way and succeed, you prove to that part of yourself that you’re more than what you thought you were. Is this scary? Yes, as hell. But it’s worth it. This is what 800 days of being honest has taught me–that just as you can’t have new experiences and enjoy the world around you by staying home on your couch, you can’t discover your hidden strengths, talents, and abilities by staying within your comfort zone. Indeed, everything worth having is OUTSIDE your comfort zone.

Quotes from CoCo (Marcus)

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Each season has something to offer.

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This Is Where the Roots Grow (Blog #730!)

It’s ten-thirty in the morning, and I’ve been awake and functional for an entire hour. Last night I dreamed that I’d stolen two piano keyboards from a warehouse and stashed them in the back of my car. Then I got stopped by the police, and an old lady kept trying to take my picture. The flash on the camera made my eyes squint. I was worried about being seen with the stolen goods, which had just been found by the cops. They’d opened my back door. The old lady was a distraction. Then I was walking back to the warehouse with the keyboards’ rightful owners, who were intent on proving the keyboards matched their other equipment and, therefore, belonged to them. I remember thinking, I hope I don’t get discovered. And yet I didn’t run away; I continued to walk.

Wow. Today’s blog is #730, which means that as soon as I hit “publish,” I will have completed two full years of daily blogging (365 x 2=730). I can’t tell you what this accomplishment means to me. As I type these words, I have tears in my eyes. Overwhelmed with pride, joy, and even grief, I’m at a loss for how to fully express what I’m feeling. I did it.

Recently I heard Dustin Hoffman say that actors should always be working. Not that they should always be in front of a camera or in a play or movie, but that they should always be working on their craft. “Read a famous play, watch a classic movie,” he said. (I’m paraphrasing.) “Pay attention. Go to the mall and observe people. Find out about the world around you.” I can’t tell you how much I adore this advice. When I started this blog two years ago, I was giving myself a lot of shit for living with my parents and not having a “real” job. Many times I’ve said that I haven’t been working. But the truth is that I have been working. I haven’t always been getting paid for my work, but for the last 730 days I’ve put my butt in a chair and worked on my craft. For thousands of hours. And when I haven’t been at the keyboard, I’ve been reading–learning about writing, psychology, and more. Plus, I’ve been paying attention to other people, my relationships, and how life works. For a writer, this is invaluable.

A tree’s roots are under the ground.

I’m not saying this to brag. Look! I’ve been using my brain! Rather, I’m saying this as an honest acknowledgment. From blog #1 I’ve said I needed to soften up on myself. That is, I’ve spent the majority of my thirty-eight years on this earth beating myself up and thinking that not only am I not good enough, but also that I don’t know enough, don’t work enough. But I’m tired of this way of thinking. For one thing, it doesn’t feel good. For another, it’s not true. I work my ass off. Just because you can’t always see it–in the form of a paycheck or completed novel, for example–doesn’t mean it’s not there. A tree’s roots are under the ground.

The last time I talked to my therapist about my thought that my life isn’t happening fast enough, she encouraged me to trust the universe’s timing. “I used to think that I needed a better job or more money,” she said, “but looking back I can see that I wouldn’t have been ready for those things at the time. So you have to ask yourself, ‘Am I really ready for something else, or am I still being prepared for it?'” Ugh. Preparation. That’s what I think this period in my life is. Growing roots. Hoffman says one of his favorite experiences in the world of entertainment involved–early on–directing a play in Fargo, North Dakota. Though it wasn’t anything big by the world’s standards, it turned out to be invaluable for what would come later. Again, the work that was important was the work that nobody saw.

Since today is the last blog of Year Two of Me and My Therapist, it feels like both this post and the day itself should be big, something grand. And whereas I imagine parts of it will be, the truth is that this post and the rest of the day will have their hits and misses. Words and moments that I think are fabulous, others will rush right over. Things I’d cut out in a heartbeat–what, this old thing?–others will cling to. After all, we each have our own set of glasses through which we see the world. Even if you wanted to, you can’t exchange your pair for another’s. I do think, however, that you can change your own pair of glasses, that you can begin to see the world, and even yourself, differently. Not in a flash, but over time. Unfortunately, that’s the only reliable way I’ve found to competently do anything–learn to dance, learn to write, or change you perceptions (which really means changing yourself). It’s simply a law of nature–strong roots don’t grow overnight.

Another thing Hoffman said is that even with all his talent, experience, and success, part of him always feels like an imposter. That he spent so many years being rejected, being interrupted mid-audition and told, “Thank you, next!” that he’s sure every film will be his last. Like, They finally figured it out–I’m a fraud. That’s what I think my dream was about last night, my feeling like other people are talented but that I’m not, that somehow I’ve stolen something that rightfully belongs to somebody else. The good news, I think, is that this perception is changing, indicated in the dream by the old woman (my old ideas) taking my picture (the way I see things). Plus, despite my fear in the dream–I hope I don’t get discovered–I continued to walk. In waking life, I continue to write because I DO want to be discovered. I imagine every artist does. But more than wanting or needing outside recognition, I know I must first have my own recognition. Regardless of what anyone else says or thinks, I have to believe in myself and what I’m doing here.

More and more, I do.

You can weather any storm.

Ralph Waldo Emerson said, “The years teach much that the days never know.” Amen. In two years of daily writing, I’ve learned that something magical happens between the words, between the lines, between each time I hit “publish.” This is the part that no one sees. This is where the roots grows. Try as I might, I’ll never be able to describe this experience to anyone else who hasn’t lived it for themselves, how a practice like this can transform you. But when you’ve changed, you know it. Personally, I know what it feels like to be grounded, to grow steady in yourself. I know what it feels like to know–deep down–that you can weather any storm. There’s this inner confidence. You think, I am not a fraud. Strong roots produce strong trees.

Quotes from CoCo (Marcus)

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No one is immune from life’s challenges.

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